Reliving Memories in Digital Photos as the Clock Ticks in the Present Moment
Team
- William Odom
- Amy Chen
- Sol Kang
Timeframe
2022 ↝ 2023Keywords
- Slow Technology
- Research Through Design
- Metadata
- Field Study
- Interaction Design
- Digital Archives
Outcome
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Novel Temporal Interaction Design
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PhotoClock now available in the Apple App Store
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8 week field study with 12 participants
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ACM DIS 2023 Paper
The Core Idea
PhotoClock uses the clock-time of the present moment to re-present photos you took around that same time of the day. As time ticks away relentlessly, PhotoClock highlights the ephemeral and ongoing quality of time.
Interaction Design
As digital photo archives expand rapidly with the rise of smartphones and cloud storage, they often become formless and intangible, lacking the material presence that encourages regular engagement. This makes it difficult for people to understand the scale of their archive and revisit the experiences it holds. PhotoClock addresses this by reconnecting users with their memories, presenting photos taken at the same ‘clock time’ as the current moment. The app retrieves a photo captured around the same time of day in the past and displays it alongside its temporal and location metadata, fostering reflection and connection to past experiences.
There are three main buttons for the user to interact with PhotoClock. The main button on the right toggles between the three pacing modes (Hour, Minute, and Second). The middle one with a pie chart icon on enables entry to the Sunburst page. The left one allows its user to toggle between the three selection filters (All, Date, and Weekday).
The main temporal modes are Hour, Minute, and Second. Each mode selects photos from a different unit of time and provides a different rhythm in transitioning photos. Hour mode displays one photo per hour drawn randomly from that stack. For example, when it turns 5pm, PhotoClock will randomly select one photo from all photos taken between 5:00-5:59pm. Minutes mode applies the same logic on the level of a minute (e.g., 5:01pm), and Second applies it on the granularity of a second (e.g., 5:01:01pm). The process is ongoing and continues indefinitely. If there are no photos available in a user’s archive for a particular time of the day, PhotoClock finds the next ‘closest’ in the near future and applies a layer of opacity, slowly becoming clearer until the precise time is right for it to be revealed.
Field Study
Study Goals
We aimed to ① investigate the reflective potential of clock-time as an alternative design approach for supporting memory-oriented photo interaction as well as ② explore conceptual propositions related to slowness and temporality.
Research Process
We deployed the PhotoClock application with 12 participants for an 8 week period. Each person had a unique PhotoClock application in their iOS device, often containing tens of thousands of personal photos.
Participant Stories
Outcomes and Implications
Interacting with digital photos influences how people locate, retrieve, recollect, and share memories, but current technologies often complicate and restrict these practices. Our research advances this field by using clock time and timestamps as design elements to encourage fluid, exploratory engagement with digital photo archives. PhotoClock also demonstrates how offering minimal controls can help people interact with their life history embedded in personal data over time. On a higher level, PhotoClock offers a design research case that expands the concept of slow technology by developing new strategies for designing with temporality.
You can experience PhotoClock yourself on the Apple App Store.
PhotoClock: Reliving Memories in Digital Photos as the Clock Ticks in the Present Moment
- Amy Chen,
- William Odom,
- Sol Kang,
- Carman Neustaedter
Acknowledgments
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This research is supported by the Natural Sciences and Engineering Research Council of Canada (NSERC), the Social Sciences and Humanities Research Council of Canada (SSHRC), and the Canada Foundation for Innovation (CFI).
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We thank Jordan White, Ce Zhong, Nico Brand, Sam Barnett, Samann Pinder, and Kate Elliot for their assistance on this project.